Described as “a retro-Afrofuturist vision sending listeners on a journey through 40 years of electronic music” (Nuvo), Zaki Ibrahim’s music brings elements of spoken word, hip hop, soul, house and 70s pop together, filtered through the prismatic and often contradictory lenses of personal, historical and scientific relativities. Even the concept of diaspora seems to fall short of capturing the vivid vibrational multitudes of Ibrahim’s scope.